Book Blog #329: The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

 

Title: The Seven Husbands of Evelyn Hugo

Author: Taylor Jenkins Reid

# of Pages: 385 (hardback)

Genre: Adult, Contemporary, Romance

Rating: ★★★★☆

Synopsis: Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career. Summoned to Evelyn’s luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the ‘80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn’s story nears its conclusion, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.

Review: The Seven Husbands of Evelyn Hugo is one of the most enthralling books I've read in a long time. 

This book has been on my radar for a while, but I never got around to reading it. Based on the title, I thought it was going to be a brainless romance that wasn't an urgent read. However, when I found this book on the "recently returned" cart at my local library, it felt like fate telling me to finally give it a try. 

Now I can't believe I waited so long to read it - it's really at the brink of being of a five star read. Emotionally, it's actually already there. I was fully invested in Evelyn Hugo - despite her ups and downs in her career and some morally questionable decisions, I couldn't help but cheer for her, hope that the next part of her story would take a turn for the best. 

As an actress back in the 50s, it is unsurprising that Evelyn's sex appeal and femininity are a large part of the success in her career and, unfortunately, is likely (in part) similar to many modern day Hollywood hopefuls' and stars' story. However, the reader can't help but admire how Reid wrote Evelyn Hugo to use these aspects to her advantage in navigating a man's world while still highlighting the struggles Evelyn endures from having to sacrifice parts of herself to protect those she loves. 

Evelyn Hugo's character is such a complex character because she encapsulates what many repressed group experienced in the 50s - 80s. From concealment of identifying as a part of the LGBTQ+ community, to women getting backlash from the public for the same "promiscuity" men get away with, to denying her Cuban roots to fit in more with the American image, the challenges Evelyn faces are only exacerbated due to her being a celebrity. Although this book covers a time period that seems still too recent to comfortably call "historical fiction," the tabloid's reaction to Evelyn Hugo's life actually serves as a powerful reflection on how much the United States has progressed in allowing people to proudly and publicly embrace who they are. 

So, why did I not give this book 5 stars? No, it's not because of the writing style employed in this book. One could argue that there is POV switching - the story is told from Monique's first person POV, but when Evelyn tells her life story to Monique, it's told in first person from Evelyn's POV (of course). This didn't bother me - Evelyn's POV is the predominate one in the book, and she's the one I wanted to hear from the most. Monique's sections were usually very short chapters that were actually nice breaks in the "present day" (2017). There are even letters and newspaper/tabloid clippings used to tell the Evelyn's story - while the execution might be cheesy/lazy in other books, it surprisingly worked in this one. 

The reason why I didn't bump this book to a perfect star rating is because of two factors:
1. Monique's character development fell flat for me. There are suppose to be parallels with Evelyn's life story and Monique's modern day (less dramatic, more relatable to the reader) life problems. However, Monique's section of the book is so small and insignificant that when she takes action inspired by what she's hearing from Evelyn, it feels more like a stroke of luck of a fluke when she succeeds rather than her truly growing as a person. 

2. I'm unlikely to want to re-read this book again. This isn't necessarily something I always factor into my rating, but for this book I likely will not enjoy future re-reads of this book nearly as much as I enjoyed reading it for the first time. A lot of the appeal comes from peeling the onion on Evelyn Hugo's life and while Reid makes some of the outcomes obvious (and one of the big plot twists is fairly predictable), the air of mystery is still what made me unable to put this book down. A second reading would not have that same experience and would more solidly place this book at a 4 star rating. 

Despite this, I HIGHLY recommend this book. It's a great read, and it's easy and quick to finish in a day or less. 

Book Blog #328: The Heavan and Earth Grocery Store by James McBride

 

Title: The Heaven and Earth Grocery Store

Author: James McBride

# of Pages: 389 (hardback)

Genre: Adult, Historical Fiction, Mystery

Rating: ★★☆☆☆

Synopsis: In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighbourhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows.

Review: This is somewhere between 2 and 3 stars. 

This book wasn't BAD per se. My problems with the writing style can be mostly chalked up to McBride making "artistic choices" that I don't enjoy. 

First, the most obvious: third person POV switching. This one is employed A LOT - every chapter. Third person story telling is already somewhat prone to some POV switching, but this one tries to cover everyone involved AND can time skip (either a bit before or a bit after the previous chapter's events). I got the classic "I wish I could hear more about the OTHER characters" feeling with some of the characters (such as Doc, Gus, etc.). 

Now, I would say that the third person POV switching did make the ending ~100 pages more gripping, and the ending is by far the best part of the book. However, this is more because the book becomes less-slice of life and more mystery, and there's actually PLOT PROGRESSION. 

Which leads me to my second major problem with this book - the author is a big rambler. There's a lot of TELLING rather than SHOWING the characters' background. McBride repeats some "important" details as if forgetting that it was already mentioned 50 billion times already. I wanted to scream "I KNOW already! Let's get a move on the rest of the story!" It wasn't even clear what this book would be about in the first 100 pages because McBride was introducing so many people - even at the end it's clear that McBride doesn't have a single protagonist for this book (is it Moshe, who is the focus at the beginning but less so by the end? Nope, likely no one person is the protagonist). 

Not having a clear protagonist DID mean that I ended up caring about a lot of characters (thus why I considered giving it 3 stars), but not everyone's story is nicely tided up in a bow by the epilogue, unfortunately. Unlike other mysteries where there ending is satisfying, this one left me feeling like there was still more story that could have been told, but McBride decided it was time to focus and end it at 389 pages.

I probably will not read another McBride book again.